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Eduardo Montes-Bradley
Eduardo Montes-Bradley (born July 9, 1960) is an award wining documentary filmmaker, photographer and published author. 〔''The Encyclopedia of Argentine Cinema'' by Adolfo C. Martinez, 2004. p. 136.〕〔''A Dictionary of Argentine Films'' by Raúl Manrupe, Ma. Alejandra Portela. Published by Corregidor, 1995. pp. 16, 63, 109.〕 His biographical film-portraits, and documentary sketches have been shown in American and international film festivals. Montes-Bradley resides in Charlottesville where he develops and produces documentaries for the Heritage Film Project.
== Early life ==
Montes-Bradley was born in Cordoba to Nelson Montes-Bradley, founder of Discos Qualiton and Sara Kaplan. In 1961 the family relocated to Rosario, and by 1965 they were living in Buenos Aires. The cultural ambiance in the capital city, and the family relationship with the arts were crucial during his formative years. Montes-Bradley attended public school, was raised, agnostic and atheist in a progressive, predominantly left-wing radical environment. In 1973 Montes-Bradley is accepted to the Colegio Nacional Nicolás Avellaneda.〔("Nicolás Avellaneda" Colegio Nacional Nº 4. Public Education )〕 May 25, 1973, marked the end of seven years of military rule. General Alejandro Agustín Lanusse steps down as president and Héctor José Cámpora is elected on a Peronist ballot. Shortly after Héctor Campora's inauguration, former president and founder of the Peronist Party, General Juan Domingo Perón returns from exile in Madrid where he had spent eighteen years under the protection of Generalisimo Francisco Franco.〔Page, Joseph''Peron: A Biography'' Random House; 1st edition (July 12, 1983)〕 On September 11, 1973 Salvador Allende is overthrown in a bloody military coup led by General Augusto Pinochet in neighboring Chile. It was a time of profound political turmoil. Montes-Bradley became involved as a student in political activism.〔Maia, Luiza. "Assombraçoes de Cinema". Diario de Pernambuco. Supplement Viver. July 9, 2013. Recife, Brazil.〕 The deaths of Pablo Picasso, Pablo Casals, Pablo Neruda and Víctor Jara, all of which occurred during 1973, had a profound impact in his generation. Montes-Bradley will recall 1973 as turning point: "Not because of anything that I might have believed then, which I most certainly don’t necessarily believe in now, convictions come and go; but because of the extraordinary experience of living in a home full of music and poetry within the boundaries of a country at the brink Civil War." Three years later, General Jorge Rafael Videla ousted president Isabelita, thus inaugurating an era of state-sponsored terror and persecution resulting in the death and despairing of thousands, while many were forced into exile.
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